Bad Kids Go to Hell (2012)
Genre: Horror Comedy
Six kids that attend prestigious Crestview Academy show up for Saturday detention where they learn something about themselves and that they’re not so different after all. Things like they all could die before the day is out. Will Mommy or Daddy even care if what may or may not be a Native American curse kills them? Can you fit in having meaningless sex while being scared for your life? What is that awful, terrible thing they did last summer? And will Judd Nelson ever actually show up in this movie since he has main billing?
There’s the Princess (daughter of a sociopathic politician), the Athlete (token black dude), the Brains (hot redhead with big boobs and immigrant from some unspecified country), the Criminal (scholarship student) and the Basket Case (Pagan who claims to talk to her dead parents through seances). Judd Nelson plays the headmaster. There’s a big statue in the middle of the library where they’re to serve their detention. There’s a kind of creepy janitor that always seems to be around.
If all this sounds familiar, it should. Bad Kids Goes to Hell owes a lot of its good moments to these homages to the Breakfast Club. It’s the Breakfast Club through the lens of a Bret Easton Ellis novel though. Murder, mayhem and a lot of stylistic sex and violence instead of a heartwarming tale about disaffection with authority and temporarily putting aside differences. There’s still plenty of disaffection, but no one has time to put aside differences once bodies start hitting the floor.
After watching, I found out that Bad Kids Go to Hell is based off a graphic novel. One can’t help being left with the feeling that perhaps some scenes worked far better in that medium. Fast paced cut scenes and flashbacks with out of this world physics especially.
Bad Kids Go to Hell is a fun enough film and horror comedy is notoriously difficult to pull of well. It suffers from style over substance as it strings together cliches in an attempt to be more clever than it really is. (Again, much like the majority of Bret Easton Ellis’ work is.) There’s a half way decent unexpected ending, but it also feels a little hollow motivation wise. By then though it’s clear no one really has any motivation for anything they do so it doesn’t even really matter.
(Fun extra fact: Upon investigating IMDb, it turns out there’s a sequel called Bad Kids of Crestview Academy that recently came out. The headmaster is played by Sean Astin.)